Showing posts with label architecture. Show all posts
Showing posts with label architecture. Show all posts

3/30/13

Dalvey Estate by Aamer Architects

Dalvey Estate by Aamer Architects:
Aamer Architects have designed the Dalvey Estate in Singapore.
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From the architects:
Bold in form and fluid in function, the Longhouse @ Dalvey Estate is conceived from merging the tropical language with contemporary lines and structure. The design reinterprets the traditional Iban Longhouse, with family communal areas outside the bedrooms to foster family integration.
With the inward-looking orientation of the house, its façade and presence from the main road is kept subtle and non-descript, giving only little hints of what lies beyond. A ‘paper-thin’ concrete box, delicately lined with rich timber, greets visitors upon entry. It aptly frames the entrance, with its sheer form and structural gymnastics, appearing almost floating off a void.
The scheme is characterized by its prominent louvered ‘drum’ that houses the main bedrooms and private domain of the house. Spatial strategy and articulation of this drum aim to minimize use of walls, allow generous spill of filtered daylight and fluid circulation between bedrooms, linked by semi-outdoor verandahs.

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Architects: Aamer Architects
Photography: Amir Sultan

3/20/13

Neil Barrett ‘Shop in Shops’ by Zaha Hadid Architects

Neil Barrett ‘Shop in Shops’ by Zaha Hadid Architects:
Zaha Hadid Architects have designed the Neil Barrett ‘Shop in Shops’ in Seoul and Hong Kong.
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Description from Zaha Hadid Architects
A display landscape

The ‘Shop in Shop’ concept for Neil Barrett is based on a singular, cohesive project that is divided into sixteen separate pieces. Specific pieces have then been selected and installed into each of the four Neil Barrett ‘Shop in Shop’s in Seoul, and also into the Hong Kong shop; creating a unique display landscape within each store. Each separate element acts a as piece in a puzzle of the original ensemble, ensuring each shop maintains a relationship to the defined whole and with the other Neil Barrett Shop in Shop locations.
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The pieces have been carved and moulded from the original solid as pairs that define each other to create an artificial landscape that unfolds multiple layers for display. The emerging forms engage the same design principles adopted for the Neil Barrett Flagship Store in Tokyo; the characteristic peeling, twisting and folding of surfaces has been extended to incorporate double-curvatures and rotations.
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Adaption to multiple conditions

The display landscape is a flexible modular system that allows multiple arrangements and adaptations according to specific locations and multiple conditions, developing an original space at every location. The pieces can be used individually or in conjunction with others from the collection to suit the differing scale and spaces of each shop, with each piece able to display shoes, bags or accessories.
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Materiality

The Shop in Shop concept continues the geometries of the Tokyo Flagship Store, developing a dialogue between the Cartesian language of the existing envelope walls with the sculptural, smooth finish of each piece. This contrast of materials in combination with the formal language of the design plays with these visual and tactile characteristics and is further accentuated by the black polished floor.
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Zaha Hadid Architects and Neil Barrett are continuing their collaboration on further Shop in Shop concepts to open in Beijing, Shanghai and Seoul.
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Architects: Zaha Hadid Architects

Photography: Virgile Simon Bertrand

Hewlett House by MPR Design Group

Hewlett House by MPR Design Group:
MPR Design Group have designed the Hewlett House overlooking Bronte Beach in

Sydney, Australia.
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Description from the architects:
The long standing client is a builder whom we have successfully worked with on several projects previously. He was open to ideas and had an ability to build complex forms and intricate details. The brief was for a modern family home to accommodate a couple and their three children. The house is located on the northern flank of the Bronte gully with views towards Bronte beach and the coastline beyond.
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Our design response was to place the living spaces on the upper floor as better views and more light were available. The bedrooms were located on the middle floor as this was more private and enclosed. The lowest floor has a rumpus area linking the garden and swimming pool to the house.
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The underlying design intent was to explore the notion of “prospect and refuge” within a contemporary family house. The “prospect” was the beach and coast views to the south of the site which change constantly depending on the season, weather and time of day. The “refuge” was the other desirable character where we created a quality of space that provides a sense of sanctuary, enclosure and comfort.
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These two driving desires for the house were explored and accommodated through devising two sculpted concrete forms responding to their particular use. The forms are rounded at the edges similar to tubes which are independent of each other enabling the upper tube to twist towards the view.
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The upper tube is open-ended which allows the northern winter sun to penetrate deeply into the living spaces while allowing an unimpeded outlook to the southern view. The form also provides efficient passive ventilation drawing the prevailing north-east breeze through the house.
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On the two lower levels the character of the spaces changes to places of privacy and refuge. The middle tube houses the bedrooms, each with a different aspect and outlook. The lower level has a cave like atmosphere with the room formed by a cut bedrock wall and a dark stone floor connecting the internal and external spaces. The pool provides a water element spanning between the rock wall and the garden.
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The house boldly sits as a modern insertion into the typically poor building stock of its surrounding environment. The context is of varying building styles, scales and materials so the house creates a deliberate contrast in form and colour. The homogenous appearance of the house allows the forms to be emphasised by sun and shadow with the play of light continually shifting and moving with the path of the sun.
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Detail elements have drawn upon surrounding natural forms for inspiration. For example, the angled bands on the front façade reference the tree branches of the native eucalyptus. They also serve as a privacy screen for the dining space behind the facade.
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Architects: MPR Design Group
Photography: John Gollings